Ewa Dziarnowska

This resting, patience

Lafayette Anticipations – Fondation Galeries Lafayette
septembersept 17 – 18
Le Carreau du Temple
octoberoct 23 – 25
1/3

French premiere

3h

Prices €8 to €22
Subscribers €8 to €11

Lafayette Anticipations – Fondation Galeries Lafayette
Lafayette Anticipations – Fondation Galeries Lafayette
9, rue du Plâtre
75004 PARIS
01 42 82 89 98

METRO : Rambuteau, Hôtel de Ville
RER : Châtelet-Les Halles

Itinéraire

Thursday september 17

19h

Friday september 18

19h

Le Carreau du Temple
Le Carreau du Temple
2, rue Perrée
75003 Paris
01 83 81 93 30

Métro : Temple, République 

itinéraire 

Friday october 23

19h

Saturday october 24

17h

Sunday october 25

15h

By Ewa Dziarnowska. With Leah Marojević. Sound Krzysztof Bagiński. Lighting Jacqueline Sobiszewski. Costumes and styling Nico Navarro Rueda, Franziska Acksel. Dramaturgical support Jette Büchsenschütz. Artistic dialogue Suvi Kemppainen. Photos Spyros Rennt. Video documentation Margarita Maximova. Acknowledgements Maciej Sado.

Production Ewa Dziarnowska
Co-production Sophiensæle (Berlin)
With the support of the Senate Department for Culture and Social Cohesion and the Capital Cultural Fund (HKF)
With the kind support of Tanzfabrik Berlin e. V. and Theaterhaus Berlin Mitte

Lafayette Anticipations—Fondation Galeries Lafayette and the Festival d’Automne à Paris present this show as a corealisation.

Le Carreau du Temple and the Festival d’Automne à Paris present this show as a corealisation.

A blue mat signifies a common space between audience and performer, in which two female dancers give themselves over to a hypnotic score, bringing with it desire, absence, hope and loss. Ewa Dziarnowska, the Polish choreographer based in Berlin, creates a vibrant contact dance which favours connection rather than distance.

 

Ewa Dziarnowska and Leah Marojević, both dressed in blue, unfurl wave-like gestures in the space. Solo or in unison, they move around the stage in silent contact. The proximity of their bodies cuts through the audience’s passivity: gaze turns into movement, and movement a way of being seen—a reciprocity which overturns classical performance. Both choreographer and performer, Ewa Dziarnowska’s interest is in improvisation as both method and philosophy. By paying attention to sensations, rhythm and relationships, she explores how movement can generate knowledge and resist against the pressures of coherence and productivity. Carried along by the present and a growing emotional charge, This resting, patience views sensuality and dance as practices open to all. Indeed, they are sensory-based technologies capable of unravelling the world and projecting a continuous present in the direction of a sustainable future—of an intensely tender, vibrant and attentive kind.