Olga Neuwirth is fascinated by dual levels, mirrors, anamorphosis… Using as much material as possible, her Remnants of Songs are a true
amphigory. In contrast is Hindemith’s Trauermusik; Schoenberg, who had earlier followed such Freudian paths; Brahms, sculpting symphonic sound in Romantic expression.
Paul Hindemith
Trauermusik for viola and strings
Arnold Schoenberg
Accompanying music to a film scene, opus 34
Olga Neuwirth
Remnants of Songs... An Amphigory (Premiere in France)
Johannes Brahms
Symphony n°2, in D, opus 73
Antoine Tamestit, viola
Paris Conservatoire Orchestra
With the participation of the musicians of the Philharmonic orchestra of Radio France
Direction, Patrick Davin
Coproduction Cité de la musique ; Conservatoire de Paris ; Festival d’Automne à Paris
With the support of Austrian Cultural Forum
With the support of Mécénat Musical Société Générale
This work programme has been funded with support from the European Commission.This publication [communication] reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein
