Latifa Laâbissi Adieu et merci


“There are as many bows as there are possible endings”, Latifa Laâbissi writes. Actors’ bows at the end of a show are as much a convention as a threshold between the performance and the real world.
Exploring the ritual’s historic, generic and subjective dimensions, Laâbissi creates anthropological sketches and mixes times and places to reflect on the limits of the stage.