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2017 EDITION
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    Festival d’Automne à Paris
    156 rue de Rivoli
    75001 Paris

György Kurtág
Salvatore Sciarrino

 

Music

    SCHEDULE AND VENUES

    György Kurtág and Salvatore Sciarrino have the same profound sense of form: one has concentration containing existence in a single breath, while the other has suspension and the unsettling expectation of sound. In common there is the tension of walking on the edge of silence, on the edge of the infinitesimal.
    In Kurtág’s Messages of the Late Miss R. V. Troussova (a work rarely performed, yet it is the one which made his reputation in western Europe), and …quasi una fantasia…, we perceive the paramount art of the composer. The Messages, with great intensity and concision, express absence, a dream, a shadow, bereavement, in a form so highly concentrated that any lengthy development is rendered untenable. The musician embarks, as always, on a quest for the essence, bare quintessence, with formidably delineated outlines. Kurtág quotes the Hungarian poet, Attila József: “Branch shapes stripped bare hold up empty air.” Subtraction is the exercise reflecting a world that has come apart, caught between form and fate.
    For Salvatore Sciarrino, who calls Kurtág the composer of sincerity, it is time to pay tribute to two of his masters. In the 20th century, it is Alberto Burri (born in Città di Castello in Umbria where Sciarrino lives), the artist known for his “blacks” (Neri) and his white “cracked paintings” (Cretti). “When I spend a while looking at white or black, I see the same thing,” observes Sciarrino. And there is the composer Carlo Gesualdo, a cruel man, perhaps better known today for murdering his wife and her lover. Sciarrino’s work, striking in accent, dissonant in sound and irregular in beat, has the composer involved in a Borges-like way, introducing a quite different rationale. After the composer’s sonatas and virtuoso sections in both instrumental and vocal works, Sciarrino has – at last – created a new composition for piano and ensemble.

    György Kurtág
    ...quasi una fantasia..., for piano and groups of instruments, Opus 27 No. 1; Messages of the Late Miss R. V. Troussova, for soprano and ensemble, Opus 17
    Salvatore Sciarrino
    Il sogno di Stradella, for piano and ensemble
    (French premiere – commissioned by the Saint Paul Chamber Orchestra, the Cleveland Orchestra and the Ensemble InterContemporain)
    Omaggio a Burri, for three instruments; Gesualdo senza parole, for ensemble

    Ensemble InterContemporain
    Natalia Zagorinskaya
    , soprano
    Sébastien Vichard, piano
    Matthias Pintscher, conductor

    Coproduction: Philharmonie de Paris, Ensemble InterContemporain, Festival d’Automne à Paris // Concert recorded by France Musique.

    György Kurtág, ...quasi una fantasia... opus 27 nº1, manuscrit © Fondation Paul Sacher, Collection György Kurtág
    György Kurtág<br>Salvatore Sciarrino
    György Kurtág, ...quasi una fantasia... opus 27 nº1, manuscrit © Fondation Paul Sacher, Collection György Kurtág
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