Flora Détraz

Échelle Humaine - Gesächt

Archive 2021
Performance
Lafayette Anticipations – Fondation Galeries Lafayette
septembersept 20 – 22

© © Pablo Lopez ©

Conception Interpretation, Flora Détraz
Music, Der Leierman, Die Winterreise by Franz Schubert
Lighting, Arthur Gueydan
Acknowledgements, Marlene Monteiro Freitas, Patricia Portela and Miguel Pereira
Gesächt was created within the framework of the PEPCC - Forum Dança training course - Lisbon / PT

The solo Gesächt explores the idea that the body is made up of many other bodies: we are all the bodies we have copied, imitated, admired, loved, hated.

In a game between recognizable and unrecognizable, the body becomes a landscape where "figures" appear and disappear. Flora Détraz has chosen to take up the figure of the opera singer because he is the being in representation par excellence. She thus studied the postures and mimics of the baritone Dietrich Fisher Diskau. In this performance, she sees the body as the only vibrant terrain, with light as its only accompaniment and costume as its only appearance.

In the same place

Lafayette Anticipations – Fondation Galeries Lafayette
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Rabih Mroué's objective with his “non-academic conferences” is to subvert, via the perspective of performance, the principle of the conference. He does so by imitating the mechanisms at work within the conference format. He does not set out to make fun of the principle of the conference itself, but rather to exploit the power of the exercise as a form of public address. This is achieved by operating a shift of a voluntarily ambiguous nature, passing from presentation to representation and from reality to the imagination. The illusion it sets up is a disturbing one: the tone is neutral, the expertise seems well proven, and the documents supporting the speech suggest authenticity. This, of course, is precisely the aim of the whole mischievous, moving and intellectually stimulating operation.
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ConferenceTheatre Portrait

Rabih Mroué's objective with his “non-academic conferences” is to subvert, via the perspective of performance, the principle of the conference. He does so by imitating the mechanisms at work within the conference format. He does not set out to make fun of the principle of the conference itself, but rather to exploit the power of the exercise as a form of public address. This is achieved by operating a shift of a voluntarily ambiguous nature, passing from presentation to representation and from reality to the imagination. The illusion it sets up is a disturbing one: the tone is neutral, the expertise seems well proven, and the documents supporting the speech suggest authenticity. This, of course, is precisely the aim of the whole mischievous, moving and intellectually stimulating operation.
Lafayette Anticipations – Fondation Galeries Lafayette
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Rabih Mroué
Sand in the Eyes

ConferenceTheatre Portrait

Rabih Mroué's objective with his “non-academic conferences” is to subvert, via the perspective of performance, the principle of the conference. He does so by imitating the mechanisms at work within the conference format. He does not set out to make fun of the principle of the conference itself, but rather to exploit the power of the exercise as a form of public address. This is achieved by operating a shift of a voluntarily ambiguous nature, passing from presentation to representation and from reality to the imagination. The illusion it sets up is a disturbing one: the tone is neutral, the expertise seems well proven, and the documents supporting the speech suggest authenticity. This, of course, is precisely the aim of the whole mischievous, moving and intellectually stimulating operation.