For the past four years, the Festival d'Automne opens its program to artists or collectives, making a gesture both artistic and policy. The Carte Blanche becomes a field of experimentation, conducive to crossing of aesthetics, the circulation of ideas and the public.
For three weeks, the Festival invites the Casa do Povo, a unique Brazilian art center, to invest the Maison des Métallos in the 11th arrondissement of Paris. On this occasion, the Festival d'Automne experiments with new forms of conviviality, and inaugurates for the first time a HQ, open to upheavals and collective reinvention.