Latifa Laâbissi
Flaming Creatures
novembernov 28 – 30
decemberdec 8

RER : Cité Universitaire (RER B)
Tramway : Cité Universitaire (T3)
Saturday november 28
18h
Sunday november 29
16h
Monday november 30
20h
Tuesday december 8
20h
Concept and performance Latifa Laâbissi. Music, vocals and performance Walid Ben Selim. Visual installation concept and design Nadia Lauro. Dramaturgy assistant Enkidu Khaled. Lighting design Yves Godin. Sonic dramaturgy Manuel Coursin. External consultant Isabelle Launay. Stage manager Ludovic Rivière. Production and distribution Fanny Virelizier. General administration Alice Le Diouron.
Production Figure Project
Coproduction TNB—European Theatre and Choreography Centre; Festival d’Automne à Paris; Charleroi Danse; Wallonia-Brussels Choreographic Centre; La Place de la Danse—CDCN Toulouse/Occitanie; VIADANSE—Burgundy National Choreographic Centre; NEXT Festival; Montpellier Danse; CNDC Angers
With the support of Dance Reflections by Van Cleef & Arpels and SPEDIDAM
Figure Project receives support from the Ministry of Culture—DRAC Brittany, as a recognised company, from the Regional Council of Brittany, the Department of Ille-et-Vilaine and the City of Rennes
Latifa Laâbissi is an associate artist at the TNB since 2021
The Festival d’Automne à Paris is a coproducer of this show and presents it in corealisation with the Théâtre de la Cité internationale.
How can long-lost memories be brought to the surface in bodies from today’s world? With Flaming Creatures, Latifa Laâbissi and Walid Ben Selim explore common ground of an intimate kind. Calling upon dance and music, songs from Morocco filter into the present and reawaken powerful, unruly elements of the imagination.
For several years, Latifa Laâbissi has been turning the stage into a place in which the downtrodden, troublesome and unruly become visible. Alongside singer and composer Walid Ben Selim, Flaming Creatures continues her investigations, within which poetry and the voice open up a space for echoes of a unique kind. Together, the two artists have turned to a shared heritage, linked to Morocco and Amazigh culture, in order to extract matter of a living kind, made up of songs, gestures and resonances from the past. Here, within an installation designed by Nadia Lauro, figures of a fleeting, multiple kind cross each other’s paths, and what had, until now, escaped our attention, suddenly becomes visible, audible once again. Between intimate memory and collective history, the two artists search for a common language, a place of transit where heritage and invention meet and confront each other. Flaming Creatures sets itself up as a space the confines of which reveal themselves as active forces, capable of shifting narratives, and of hosting forms in the making. The piece is a celebration of these forces, in terms of their intensity and capacity to generate experience, alter perceptions and make room for other presences.
In the same place


