Marion Siéfert, Matthieu Bareyre

Bunker

T2G Théâtre de Gennevilliers – Centre Dramatique National
septembersept 17 – 28
Théâtre de la Cité internationale
octoberoct 8 – 10
Malakoff Scène nationale – Théâtre 71
octoberoct 14 – 15
Points communs – Théâtre des Louvrais
decemberdec 16 – 17

Creation 2026

2h30

Prices €8 to €31
Subscribers €8 to €20

T2G Théâtre de Gennevilliers – Centre Dramatique National
T2G Théâtre de Gennevilliers – Centre Dramatique National
41, avenue des Grésillons
92230 Gennevilliers
01 41 32 26 26

Metro 13 - Gabriel Péri

Bus 54, 140, 175, 177 - Place Voltaire ou bien + Lignes 235, 276, 340, 577 - Gabriel Péri

Want to go !

Thursday september 17

20h

Friday september 18

20h

Saturday september 19

18h

Sunday september 20

16h

Monday september 21

20h

Thursday september 24

20h

Friday september 25

20h

Saturday september 26

18h

Sunday september 27

16h

Monday september 28

20h

Théâtre de la Cité internationale
Théâtre de la Cité internationale
17, boulevard Jourdan
75014 Paris
01 85 53 53 85

RER : Cité Universitaire (RER B)
Tramway : Cité Universitaire (T3)

Want to go

Thursday october 8

20h

Friday october 9

20h

Saturday october 10

18h

Malakoff Scène nationale – Théâtre 71
Malakoff Scène nationale – Théâtre 71
3, place du 11 novembre
92240 Malakoff
01 55 48 91 00

Wednesday october 14

20h

Thursday october 15

20h

Points communs – Théâtre des Louvrais
Points communs – Théâtre des Louvrais
Place de la Paix
95300 Cergy
01 34 20 14 14

Wednesday december 16

20h

Thursday december 17

20h

Text Matthieu Bareyre and Marion Siéfert. Direction Marion Siéfert. With Janice Bieleu, Monica Budde, Lorenzo Lefebvre, Charles-Henri Wolff. Dramaturgy Matthieu Bareyre. Set design concept and production Nadia Lauro. Sound Patrick Jammes. Lighting Manon Lauriol. Costumes Chloé Courcelle. Assistant director Noa Landon. Stage manager Chloé Bouju. Stage and props manager Charlotte Arnaud. Fencing coach Didier Beddar. Acting coach Janice Bieleu and Ariane Schrack. Co-production of set elements Marie Maresca and Charlotte Wallet (animals and props), Comédie de Genève (carpentry and lighting equipment). Production coordination Anne Pollock. Development and international touring Emmanuelle Ossena. Communications Justine Cazin.

Production Ziferte Productions
With the support of Fondation d’entreprise Hermès
Coproduction Comédie de Genève ; T2G Théâtre de Gennevilliers—centre dramatique national ; Points communs—Nouvelle scène nationale de Cergy- Pontoise / Val d’Oise ; Théâtre national de Strasbourg ; Les Célestins—Théâtre de Lyon ; Festival d’Automne à Paris ; Festival d’Avignon ; Bonlieu scène natio-nale Annecy ; Châteauvallon-Liberté, scène nationale ; Théâtre Garonne—scène européenne de Toulouse ; Le Parvis scène nationale Tarbes- Pyrénées ; scène nationale d’Albi-Tarn ; TSQY—scène nationale
Residency T2G Théâtre de Gennevilliers—centre dramatique  national ; Points communs—Nouvelle scène nationale de Cergy-Pontoise et du Val d’Oise ; Comédie de Genève ; La FabricA du Festival d’Avignon ; Châteauvallon-Liberté, scène nationale, Houdremont—centre culturel de la Courneuve 
To create Bunker, Marion Siéfert and Matthieu Bareyre benefited from an artistic residency in two departments of the Pitié-Salpêtrière Hospital, as part of the culture-health programme run by the Festival d’Automne in Paris in partnership with the Assistance Publique—Hôpitaux de Paris
The company Ziferte Productions is supported by the DRAC Île-de-France 
Performance funded by the Île-de-France region 
Marion Siéfert is an associate artist at T2G Théâtre de Gennevilliers—National Drama Centre and at Points communs—New National Stage of Cergy-Pontoise and the Val d’Oise.

Thanks to the AKEP (Montreuil Kyudo Association) and Kin No Shima (Toulon Kyudo Association). To Professor Carine Karachi and to all the patients who welcomed us. To Dr Bertrand Mathon, Christophe d’Alessandro, Michiko Iwata, Thomas Laurent, Dr Florence Laigle, Viviane du Boullay, David Maresca and his family, Julien Migozzi, Martine Bareyre, Julie Bareyre, Christine and Jean-Marie Siéfert

The T2G Théâtre de Gennevilliers — Centre Dramatique National, Points communs — Nouvelle scène nationale de Cergy-Pontoise et du Val d’Oise and the Festival d’Automne in Paris are co-producers of this show and are presenting it as a corealisation.

The performance at the Théâtre de la Cité internationale is presented as part of the Transforme festival organised by the Fondation d’entreprise Hermès.

After-show talk
Wednesday 14 October at Malakoff Scène nationale – Théâtre 71, performance followed by an after-show talk hosted by journalist Thomas Baumgartner.

The CEO of a major petrochemical group lives with his daughter, Ami, in his luxury bunker. He directs his empire, with neural implants inside his head, whilst Ami has, for several days now, fallen into complete silence. Bunker pinpoints what is at the source of poems and poetry, that of the encounter between spoken word and silence.


In this huis-clos of paranoid anticipation are four characters: Paul, the CEO, a fully-consenting guinea pig for these new inventions and worshipper of bio-technological advances; his daughter, Ami, who has decided to stop "pretending to talk”; his neurosurgeon and private coach, Thomas, a radical apostle of scientism; and his mother, of whom all we see, or rather hear, is her voice, and her advice, alternating between the reassuring and the imperious. Subjected to these different influences, Paul characterises this man of power who has been transformed into a puppet, a plaything for progress as opposed to born leader. He is driven by a thirst for vengeance towards his son Anderson, whom he seeks to disinherit. Faced with her father’s warped logorrhoea, Ami builds up another world for herself, made up of carefully-chosen gestures, as well as a meditative awareness of her own body and resistance. In parallel with the writing of the piece, Marion Siéfert and filmmaker Matthieu Bareyre undertook an artists residency within a neurosurgery ward, at the invitation of the Festival d’Automne and in partnership with Assistance Publique—Hôpitaux de Paris. At a time when the technological domination of our lives is reaching new heights, Bunker is an affirmation of the power of relationships and vulnerability.

In the same place