Marga Alfeirão

LOUNGE

CENTQUATRE-PARIS
octoberoct 9 – 11
1/3

50 minutes

Prices € 8 to € 22
Subscribers € 8 to € 18

CENTQUATRE-PARIS
CENTQUATRE-PARIS
5, rue Curial
75019 Paris
01 53 35 50 00

Friday october 9

20h30

Saturday october 10

18h

Saturday october 10

20h30

Sunday october 11

18h

Concept Marga Alfeirão with Mariana Benenge, Myriam Lucas and Shaka Lion. Performance Mariana Benenge, Marga Alfeirão. Choreography Marga Alfeirão, Myriam Lucas, Mariana Benenge. Sound editing and mixing Shaka Lion, Hinna Jafri. Set design Yoav Admoni. Styling and costumes Mariana Benenge, Marga Alfeirão. Lighting design Thais Nepomuceno Veiga. Dramaturgy Jette Büchsenschütz, Mateusz Szymanówka. Production assistant Francisca Spuzi. Distribution neon lobster—Giulia Messia & Katharina Wallisch.

Production Marga Alfeirão
Coproduction Sophiensæle (Berlin)

The CENTQUATRE-PARIS and the Festival d’Automne à Paris present this show as a corealisation.

With the support of

In her first invitation to the Festival d’Automne, the Lisbon-based choreographer Marga Alfeirão uses dance and performance to shape so-called safe spaces. The latter invite the exploration of intimacy and sexuality. LOUNGE looks into rest as an active affirmation of femininity.

 

LOUNGE is a duo for two moving bodies that identify themselves as feminine. The word “lounge” signifies both an action and a place. Together, Mariana Benenge and Marga Alfeirão go through different states of rest, both active and passive, and use each other’s presence in order to plunge deeper and deeper within themselves and the space. Running throughout the piece is the notion of an "invisible lap dance". It consists of a series of minute, barely perceptible gestures in which the gaze itself becomes movement, thereby blurring the frontier between offering and receiving. This choreographic strategy sheds light upon and questions the relationship between the performers and the audience, as well as public and private space, seeing and being seen. In this piece, sensuality is anything but an ornament. Perhaps paradise is a place on earth, but here we find ourselves in a waiting room, in no hurry.