Pol Pi, Nitsan Margaliot, Antoine Mermet
Variations on Tenderness
novembernov 13 – 14

Métro : Château de Vincennes (ligne 1) puis navette Cartoucherie ou bus 112
Friday november 13
20h
Saturday november 14
17h
Saturday november 14
20h
Concept, direction and performance Pol Pi, Nitsan Margaliot, Antoine Mermet. Lighting design Rima Ben Brahim. Costume design Edmée Petit. Production management and distribution Elizabeth Fély-Dablemont.
Production NO DRAMA
Coproduction Odyssée—Scène conventionnée de Périgueux; Festival d’Automne à Paris; Le Pacifique—CDCN Grenoble; OARA—Office artistique de la région Nouvelle-Aquitaine; Agence Culturelle départementale de Dordogne; Fonds Transfabrik; La Métive; Atelier de Paris/CDCN
With the support of La Gare Mondiale as part of its creative support and mentoring initiatives; BUDA Kunstencentrum; Kortrijk; CND Centre national de la danse
Artistic residency Studio Le Regard du Cygne; L’Atelier de Paris/ CDCN
Cooperation—T4fT-Tanzplattform, Leipzig
L’Atelier de Paris/CDCN and the Festival d’Automne are co-producers of this show and present it as a co-realisation.
Tenderness welcomes as many definitions as there are personal experiences of it, and in this piece two performer-choreographers and a performer-musician embark us upon a collective, experimental form of research into this anti-authoritarian motto. It leads to a transformation of ways of being together, but also of the different forms that representation can take.
If tenderness is a territory, then competition, control and demands for productivity certainly do not figure within it, even if they are omnipresent more or less everywhere else. For the bodies which enter into this, as yet, little explored territory, it is about learning, once again, how to listen and respect each other, and live side-by-side. Pol Pi, Nitsan Margaliot and Antoine Mermet invite the audience to try their hand at this ethic. This is done by means of an experimental process based upon archive material, interviews carried out with queer militants and with workshops attended by the general public during each period of residence. From out of this emerged a form which situates itself between show, place of learning and gathering. We are invited into a safe, but porous place in which vulnerability becomes something to be shared and the awareness of our desires is only negotiable once those of others has been taken into account. Summoning a mixture of writing, spoken word, song and movement, Variations on Tenderness opens up the prospect of a radical form of being together.
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