Jean-Louis Hourdin

The CEO of a major petrochemical group lives with his daughter, Ami, in his luxury bunker. He directs his empire, with neural implants inside his head, whilst Ami has, for several days now, fallen into complete silence. Bunker pinpoints what is at the source of poems and poetry, that of the encounter between spoken word and silence.

With Paradis plage, Kenza Berrada conjures up a huis clos at the heart of the Moroccan bourgeoisie. Stifled by its code of decorum, the characters cling to the idea of the family, against all odds.