Los Inescalables Alpes, buscando a Currito (The Unclimbable Alps, looking for Currito) is driven by a burning desire to see a person once again. The title and ensuing dance suggest an infinitesimal effort, that of overcoming the impossible. María del Mar Suárez, the Andalucian choreographer also known as La Chachi, conjures up a hybrid and deeply personal flamenco, which respects and deconstructs the tradition whilst introducing elements of krump and punk sensibility at the same time.
