Emmanuel Nunes

A mixture of solos, duos and trios, collage, mobile, and sound sculpture, Chroma scatters instrumental ensembles, turntables and dozens of music boxes across the space. Listeners are invited to wander around these living and mechanical islands, each a source of limitless perspectives, whilst the Grand Palais in turn shapes the work and makes it unique.

Los Inescalables Alpes, buscando a Currito (The Unclimbable Alps, looking for Currito) is driven by a burning desire to see a person once again. The title and ensuing dance suggest an infinitesimal effort, that of overcoming the impossible. María del Mar Suárez, the Andalucian choreographer also known as La Chachi, conjures up a hybrid and deeply personal flamenco, which respects and deconstructs the tradition whilst introducing elements of krump and punk sensibility at the same time.