Robert Wilson

At the T2G theatre, The Tempest Society (2017) video installation, conceived in Athens, the cradle of theatre and democracy, reactivates Al Assifa's theatre-based strategies in the light of the successive crises experienced by modern day Greece. By exploring the definitions of citizenship and the potential of theatre, the work draws up the imaginary contours of a future community in which the freedom of movement of the spoken word and historical awareness are linked.

Fleeing to her country, where her father and fiancée await her, a female soldier crosses paths with the devil. Gaëlle Bourges reworks the drama by Stravinsky and Ramuz in a solo with two dolls, set to an electro-disco original soundtrack. In a tactful way, La petite soldate poses questions to people of all ages about the place of art in our lives, the impact of war, our relationship to ethics and happiness.
 

 
What are the new politics of love? What is the extent of transgression and politics that the act of love necessarily involves? Following on from Absalon, Absalon!, this new piece by Séverine Chavrier, entitled Occupations, or “formerly”, looks into intimacy and female desire.