Hossam Mahmoud / Rasheed Al-Bougaily / Kiawash Sahebnassagh / Samir Odeh-Tamimi
Hossam Mahmoud/Kiawasch SahebNassagh/Rasheed Al-Bougaily/Samir Odeh-Tamimi Ensemble L’Instant Donné
Archive 2007
Opéra Bastille
octoberoct 13
octoberoct 13
© Syrie, Palmyre, 1996, photo © Denis Bretin ©
© Photo@Tony El Hage ©
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HossamMahmoud, Duo, for oboe and darabukka
HossamMahmoud, Tarab III, for seven instruments
new work, commissionned by Festival d’Automne à Paris
Kiawash Sahebnassagh, Zrwan II, for flute and percussion
Rasheed Al-Bougaily, Ahaat, for string quartet
Samir Odeh-Tamimi, Li-Umm-Kámel, pour flute, piano and percussion
HossamMahmoud, Tarab, string trio
Samir Odeh-Tamimi, Ahinnu II, for seven instruments
Ensemble L’Instant Donné
Artistic advisor: Joël Bons
In collaboration with the Nieuw Ensemble Amsterdam
Co-presented by the Opéra national de Paris and the Festival d’Automne à Paris
With support from Mécénat Musical Société Générale, Sacem and Fondation Ousseimi
HossamMahmoud, Tarab III, for seven instruments
new work, commissionned by Festival d’Automne à Paris
Kiawash Sahebnassagh, Zrwan II, for flute and percussion
Rasheed Al-Bougaily, Ahaat, for string quartet
Samir Odeh-Tamimi, Li-Umm-Kámel, pour flute, piano and percussion
HossamMahmoud, Tarab, string trio
Samir Odeh-Tamimi, Ahinnu II, for seven instruments
Ensemble L’Instant Donné
Artistic advisor: Joël Bons
In collaboration with the Nieuw Ensemble Amsterdam
Co-presented by the Opéra national de Paris and the Festival d’Automne à Paris
With support from Mécénat Musical Société Générale, Sacem and Fondation Ousseimi
For instance, within the past year, students in Teheran have been able to analyse works by Gesualdo and Messiaen with their professor Kiawash Sahebnassagh, who studied in Austria without straying from Persian traditions. Scores created in Israel and Koweit are recognisable, echoing their age-old traditions. Similarly, high – and low – brow are blended together with no fear of friction with the West.