Joël Pommerat
Les Petites Filles modernes (titre provisoire)
decemberdec 18 - january – jan 18
Thursday december 18
19h30
Friday december 19
19h30
Saturday december 20
18h30
Sunday december 21
15h30
Tuesday december 23
18h30
Wednesday december 24
15h30
Friday december 26
18h30
Saturday december 27
18h30
Monday december 29
18h30
Tuesday december 30
18h30
Friday january 2
18h30
Saturday january 3
18h30
Sunday january 4
15h30
Tuesday january 6
19h30
Wednesday january 7
19h30
Thursday january 8
19h30
Friday january 9
19h30
Saturday january 10
18h30
Sunday january 11
15h30
Tuesday january 13
19h30
Wednesday january 14
19h30
Thursday january 15
19h30
Friday january 16
19h30
Saturday january 17
18h30
Sunday january 18
15h30
Tuesday january 20
19h30
Wednesday january 21
19h30
Thursday january 22
19h30
Friday january 23
19h30
Saturday january 24
18h30
A theatrical creation by Joël Pommerat. With Éric Feldman, Coraline Kerléo, Marie Malaquias. And the voices of David Charier, Roxane Isnard, Garance Rivoal, Pierre Sorais, and Faustine Zanardo. Set and lighting design Éric Soyer. Video design Renaud Rubiano. Costume design Isabelle Deffin. Wig design Julie Poulain. Sound design Philippe Perrin, Antoine Bourgain. Original music Antonin Leymarie. Assistant director David Charier. Assistant support Roxane Isnard, Garance Rivoal. Writing collaboration Zareen Benafar. Actor, research contributor Pierre Sorais. Technical director Emmanuel Abate. Deputy technical director Thaïs Morel. Sound manager Philippe Perrin, Antoine Bourgain. Video manager Grégoire Chomel. Lighting manager Gwendal Malard. Stage manager Pierre-Yves Le Borgne, Jean-Pierre Constanziello, Inês Correia Da Silva Mota. Wardrobe Lise Crétiaux, Manon Denarié. Model and props creation Claire Saint-Blancat. Props construction Christian Bernou. Costume assistant Jeanne Chestier. Stage assistants Lior Hayoun, Faustine Zanardo. International distribution, special missions and agent Anne de Amézaga. Administrator Elsa Blossier. Co-director Magali Briday-Voileau. Production manager Alice Caputo. Tour manager Pierre-Quentin Derrien. Executive producer Lorraine Ronsin-Quéchon. With thanks to Maurine Tainguy and Rose Trecan.
Production Compagnie Louis Brouillard
Coproduction Théâtre National populaire ; Châteauvallon-Liberté, scène nationale ; Mixt, terrain d'arts en Loire-Atlantique ; Les Tréteaux de France - Centre dramatique national ; Théâtre Nanterre-Amandiers - CDN ; Espaces Pluriels - Scène conventionnée d'intérêt national Art et création pour la danse de Pau ; Festival d'Automne à Paris ; L'Azimut ; Théâtre Le Canal à Redon et la Drac Bretagne - ministère de la Culture ; Théâtre Le Bateau Feu Scène Nationale Dunkerque ; Le Théâtre de Suresnes Jean Vilar ; La Coursive, Scène Nationale de La Rochelle ; Théâtre français du Centre national des Arts (Ottawa) ; National Taichung Theater (Taiwan)
With the support of La maisondelaculture de Bourges, Scène nationale.
Rehearsals took place at La maisondelaculture de Bourges, Scène nationale; Théâtre Ducourneau d'Agen; La Coursive, Scène nationale de La Rochelle; Les Tréteaux de France d'Aubervilliers, Centre dramatique national; Théâtre Silvia Monfort de Paris; and Théâtre Châteauvallon-Liberté, Scène nationale. Upstream work was carried out at the Plateaux Sauvages - Fabrique artistique et culturelle in Paris 20th, and at the MC93 - Maison de la Culture de Seine-Saint-Denis in Bobigny.
Funded by the Région Île-de-France. The Compagnie Louis Brouillard is supported by the Drac Île-de-France - Ministère de la Culture and the Région Île-de-France.
Joël Pommerat and the Louis Brouillard company are associated with Théâtre Nanterre-Amandiers - CDN, La Coursive - Scène nationale de La Rochelle, and Théâtre National Populaire de Villeurbanne.
Joël Pommerat's texts are published by Actes Sud-Papiers.
The Théâtre Nanterre-Amandiers – CDN and the Festival d'Automne à Paris are co-producers of this show and present it as a co-production.
In his new latest piece, Joël Pommerat delves deep into the mysteries of childhood. In fairy tale-like manner, he sets up an encounter between two young girls as they prepare to confront the ways of the real world and stand up against the authority of adults. Shifting between fantasy and reality, they struggle to preserve the link between them in the face of the overriding norms.
Drawing on both theatre and the novelesque, in his latest piece Les Petites Filles modernes, Joël Pommerat develops a hybrid form in which events are recounted and experienced simultaneously. The different events he brings to the stage are both serious and innocent, and the only means by which these characters can deal with the inconceivable realities awaiting them is to escape into the world of the supernatural. The unwavering friendship between these two children enables the director to continue his exploration of intergenerational ties. Can any of childhood’s supernatural powers oppose the authority of adults? In contrast to Cinderella, which consisted of a deconstruction of the fairy tale-like, Joël Pommerat and the Compagnie Louis Brouillard now choose to fully embrace it. Here, the magical, the fantastical and the supernatural are neither kept at a distance nor parodied. On the contrary, they are taken very seriously indeed. Lived out to the full, they become the driving force of this theatrical experience.
In the same place