Rebecca Saunders, Alex Paxton, Lisa Illean
octoberoct 16
Thursday october 16
20h
Alex Paxton, New work for trombone and electronics (2025), commissioned by IRCAM and Festival Musica. World premiere.
Lisa Illean, Tiding III, for Ensemble Nikel and electronics (2025), commissioned by the Festival d’Automne à Paris. With the support of the Ernst von Siemens Music Foundation. World premiere.
Alex Paxton, New work for Ensemble Nikel (2025), commissioned by Festival Musica and the Festival d’Automne à Paris. World premiere.
Rebecca Saunders, Us Dead Talk Love, for alto voice, tenor saxophone, electric guitar, Korg organ, and percussion (2021). French premiere.
Alex Paxton trombone and electronics
Ensemble Nikel: Brian Archinal percussion, Yaron Deutsch electric guitar, Antoine Françoise keyboards, Patrick Stadler saxophone.
Noa Frenkel alto voice (Saunders). Yann Brecy electronics (Ircam). Alfred Reiter sound.
Ircam–Centre Pompidou and the Festival d’Automne à Paris present this performance as a co-production.
The Nikel ensemble, with its blend of traditional and modern-day instruments, and Noa Frenkel, a versatile artist whose voice excels in both the Renaissance repertoire and that of contemporary creation, gives voice to bodies of different kinds. Fantasy rubs shoulders with the fluid or the organic, calling upon our senses. We are reminded that the eyes, skin and palate listen as much as the ears do.
Two new works by Alex Paxton enable us to sample the luxurious nature of his art: sensual, joyous, minimal, brimful with notes, rhythmic, full of energy, and drawing upon song-writing, jazz and groove. His magical, affirmed expressivity enables him to navigate a vibrant, playful path through composition as well as improvisation, mixing solo instrument sections with sampling and electronics. Lisa Illean, in close proximity to the sounds of the natural world, and the tides, goes in search of a transparency of sound the minimal changes of which gradually filter into our bodies, allowing analogies to emerge between the audible and the visible, the tactile and the sculptural. Tiding III is part of a cycle inspired by the monumental woodcut Deep Water, the work of the German visual artist Christiane Baumgartner. The flesh, the ephemeral, the corpse and the tragedy of the intimate run through Rebecca Saunders' work entitled Us Dead Talk Love, based on a collection by video artist and poet Ed Atkins. In the same way as sound is a form of matter, in terms of the physical intensity of gesture or colour, the word exists in the mouth. It is breathed, swallowed, ingested, lapped up by the tongue, and swathed in saliva, ready to disappear into enzymes.
In the same place