Aurélie Charon, collectif Radio Live
Le jour d’après
Chapitre 2 (Le Caire)
novembernov 6 – 7
decemberdec 4
© Christophe Raynaud de Lage ©
© Christophe Raynaud de Lage ©
© Christophe Raynaud de Lage ©
Friday november 6
19h30
Saturday november 7
19h
RER : ligne D, to Malesherbes
Friday december 4
20h
Design and scenic writing by Aurélie Charon, in close collaboration with Amélie Bonnin and Gala Vanson. With (to be announced). Music composition and live music by Emma Prat. Live visual creation by Gala Vanson. Artistic collaboration by Mathilde Gamon. Graphic identity by Amélie Bonnin. Filmed images by Thibault de Chateauvieux. Video editing by Céline Ducreux. Sound mix by Benoît Laur. Stage space by Pia de Compiègne. Lighting design, general stage management and video operation by Thomas Cottereau. Lighting operation on a rotating basis by Thomas Cottereau and Vincent Dupuy. Sound operation on a rotating basis by Vincent Dupuy and Benoît Laur. Production management by Mathilde Gamon.
Encounters drawn from the radio series and travels of Aurélie Charon and Caroline Gillet.
Chaillot — National Dance Theatre and the Festival d’Automne à Paris present this performance in co-production.
Chapitre 1 (Kyiv)
Game. 7:30 PM, Saturday. 3 PM, release Friday.
Duration: 2h30
For your convenience, suitable seats can be offered; contact the Chaillot reception – Théâtre national de la danse to reserve them by calling 01 53 65 30 00 or sending an email accessibilite@theatre-chaillot.fr
Since 2013, Radio Live has been allowing the voices of young people across the world, grappling with the various conflicts of History in the making, to be heard. Le jour d’après continues a new cycle initiated in 2024, in which Aurélie Charon and her artists collective explore the possible reconstruction of cities and dialogues, travelling, on this occasion, to Kyiv and Cairo.
A vast, itinerant human fresco, Radio Live has been putting, for more than ten years now, theatre at the service of different ways of sharing the spoken word. It does so by inviting youngsters from countries and regions that have been marked by war and revolution to make themselves heard. In this new cycle, Aurélie Charon looks into the different forms that dialogue, resistance, cohabitation, restoration and transformation can take in places where the fabric of human relations has been torn apart. At the heart of the intimate testimonies, blended with the music of Emma Prat and Gala Vanson’s visual designs, both are which are performed live, the respective trajectories of these participants, mainly from Ukraine, and the Middle East, become interwoven. These two new chapters, presented separately, explore, in the first, the way in which the people of Ukraine have rediscovered their identity since the start of the war and, in the second, the question of the post-revolution in Cairo. Together, they continue to build up the contours of a cartography of resilience. Part radio broadcast for the theatre and part on-the-spot creator of living archives, Le jour d’après is a place where gestures of friendship and political action meet.
See also
In the same place
RER : ligne D, to Malesherbes