Bouchra Ouizguen

At the Panthéon, Bouchra Ouizguen devises a swarm-like choreography drawing upon the intense energy of a group of children. In this monumental space, impregnated with history, their mobile, reactive presence shifts the venue’s living memory towards the intensity of a shared present.

Bouchra Ouizguen operates at the threshold, at the point where the body opens itself up to what appears. Movement, permeated by traces and reminiscences, blends with bouts of song, music and silence. Alone onstage, the choreographer searches for a space of freedom, in which disappearance becomes a form of presence.

Sphere / Kurah is an installation in which body, voice and gesture permeate each other. By means of screens, projections and translucent surfaces, images detach themselves from the body and become traces, lights, and glimmers. Within this passage from presence towards fragility, the work attaches itself to forms of survival.

Since 2013, Radio Live has been allowing the voices of young people across the world, grappling with the various conflicts of History in the making, to be heard. Le jour d’après continues a new cycle initiated in 2024, in which Aurélie Charon and her artists collective explore the possible reconstruction of cities and dialogues, travelling, on this occasion, to Kyiv and Cairo.

Since 2013, Radio Live has been allowing the voices of young people across the world, grappling with the various conflicts of History in the making, to be heard.  Le jour d’après continues a new cycle initiated in 2024, in which Aurélie Charon and her artists collective explore the possible reconstruction of cities and dialogues, travelling, on this occasion, to Kyiv and Cairo.

Those who dance mix with those who sing. Musicality passes through the bodies, carried along by the same vibrations. Un peu pour mon cœur… is a communion rite, and furthers Dalila Belaza’s exploration of the resonances between song, dance and music.