Richard Foreman

Deliberately not shying away from emotion, DameChevaliers immerses itself in Monique Wittig's The Straight Mind, with a voice and sound firmly anchored in the future. Via shifting forms and formats, the collective endeavours to support the work of activists, and explore the emotions that stem from collective political action.

Lorraine de Sagazan confronts the undying subject of love with that of the era in which we live. Do we love today in the same way that we used to love twenty years ago? And what about a hundred years ago? What do we know about the younger generations? And what can theatre do in response to the pain of relationships?