Lia Rodrigues

Para que o céu nao caia

Archive 2016
Dance
1/4

[For the sky not to fall]
Created by Lia Rodrigues
Danced and created in collaboration with Amalia Lima, Leonardo Nunes, Gabriele Nascimento, Francisco Thiago Cavalcanti, Clara Castro, Clara Cavalcante, Dora Selva, Felipe Vian, Glaciel Farias, Luana Bezerra, and Thiago de Souza, with the participation of Francisca Pinto
Dramaturgy, Silvia Soter
Lighting creation, Nicolas Boudier
Artistic collaboration and images, Sammi Landweer
Assistant choreographer, Amalia Lima
A Lia Rodrigues production // A HELLERAU – European Center for the Arts Dresden coproduction; Kampnagel (Hamburg) ; HAU Hebbel am Ufer (Berlin) ; Künstlerhaus Mousonturm (Frankfurt) ; tanzhaus nrw (Düsseldorf) ; Festival Montpellier Danse 2016 ; Prefeitura da Cidade do Rio de Janeiro/Secretaria Municipal de Cultura programa Cultura Viva ; Le CENTQUATRE-PARIS ; Festival d’Automne à Paris
In association with Le CENTQUATRE-PARIS ; Festival d’Automne à Paris
In collaboration with Redes da Maré, founded by the German Federal Cultural Foundation // With the support of Onda - Office national de diffusion artistique
First performed on 19th May 2016 à HELLERAU – European Center for the Arts Dresden

After presenting Pororoca (2009), Piracema (2011) and Pindorama (2013), the Brazilian dancer and choreographer Lia Rodrigues returns to the Festival d’Automne à Paris with a new creation: Para que o céu nao caia (For the sky not to fall). One of her sources of inspiration in conjuring up the show was the unique testimony of Davi Kopenawa, a shaman belonging to the Yanomami people, an indigenous tribe from the heart of the Amazonian forest. In his work The Falling Sky, Bruce Albert gives a powerful first-person account of th life story and thought of Davi Kopenawa. The latter explains how his tribe has been confronted with a series of catastrophes, including a genocide. And how it has been obliged to reinvent its own sky. The echoes of this situation with what is going on in today’s world are all too apparent... democracies in danger, the rise in religious extremism and fundamentalism, to name but a few. Lia Rodrigues and her dancers also met with inhabitants of the Maré favela, one of the largest in the country, situated in the north of Rio. In fact, it was in these areas long overlooked by the state that the company set up its base. The artists gathered together testimonies from several inhabitants of this favela - children, mothers... This “raw material” combined with Lia Rorigues’s readings gave birth to the show. Developed in Brazil, Para que o céu nao caia was performed in Germany prior to being presented at Festival Montpelier Danse and then at the Festival d’Automne.

In the same place

CENTQUATRE-PARIS
octoberoct 5 - november – nov 5

LIMINAL, Forensic Oceanography, Border Forensics
From Sea to Sky

Visual arts
Free

Featuring different works by the LIMINAL, Forensic Oceanography and Border Forensics collectives, the multimedia installation From Sea to Sky approaches intersectional immobility and frontier-based violence at sea. The objective is to highlight the way in which the Mediterranean maritime space has been transformed into a militarized border zone.

CENTQUATRE-PARIS
octoberoct 5 – 10

Lawrence Abu Hamdan
Zifzafa

Performance
Buy tickets

Zifzafa, is an arabic word to describe a wind that shakes and rattles all in its path. Here, it becomes the title of a performance of artist and researcher Lawrence Abu Hamdan, that enmeshes sonic composition, video game engines and spoken word, to immerse us in the heart of a movement to resist green colonialism in the occupied Syrian Golan heights. 

CENTQUATRE-PARIS
novembernov 5 – 8
Maison de la musique de Nanterre – Scène conventionnée d’intérêt national
novembernov 9
Théâtre Louis Aragon, Scène conventionnée d’intérêt national Art et création – danse – Tremblay-en-France
novembernov 30

Alessandro Sciarroni
U. (un canto)

Performance
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A year after the premier of IRIS at the Butte-aux-Cailles swimming pool, commissioned by the Festival d'Automne, in which he explored the Italian polyphonic repertoire, Alessandro Sciarroni brings us U. (un canto). This music-based performance piece evokes the profoundly mysterious relationship between human beings and nature.

CENTQUATRE-PARIS
decemberdec 4 – 8

Lina Majdalanie, Rabih Mroué
Quatre murs et un toit

Theatre Portrait
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In 1947, the trial of German playwright Bertolt Brecht took place in the United States in front of the House Un-American Activities Committee (HUAC), responsible for combating communist activism. It was here that Brecht wrote a declaration which he was forbidden to read out. The minutes of the trial, as well as this declaration, constitute one of the axes of this exuberant show.