KITTY

Maison de la culture du Japon à Paris
novembernov 6 – 8
1/3

French premiere

1h50

In Japanese, Chinese (Cantonese) and Korean, surtitled in French and English.

Prices €8 to €20 
Subscribers €8 to €18

Thursday november 6

20h

Friday november 7

20h

Saturday november 8

15h

Saturday november 8

20h

Texts and direction by Satoko Ichihara. With (ongoing) Erika Hiruta, Kiki Hanaka, Yuka Hanamoto (Yuka Hanamoto Moe Matsuki). Music Masamitsu Araki. Costumes Shie Minamino (Osushi). Stage design Tomomi Nakamura. Lighting Rie Uomori (kehaiworks), Hitomi Kiuchi. Son Takeshi Inarimori. Video Kotaro Konishi. Stage control Aiko Harima. Original creation and distribution Birdy Wong Ching-yan (Artocrite Theater), Soo-yeon Sung (Creative VaQi), Yurie Nagayama (Seinendan).

Production ROHM Theatre Kyoto With the support of ROHM Theatre Kyoto (Kyoto City Music Art Cultural Promoting Foundation), Kyoto CityIn cooperation with Kinosaki International Art Center (Toyooka City)

The Maison de la culture du Japon in Paris and the Festival d'Automne à Paris present this show in co-realization.
With the support of the Franco-Japanese Sasakawa Foundation.

With the support of

After the powerful impact of Yoroboshi: The Weakling presented at the Festival in 2024, playwright and director Satoko Ichihara examines the taboos and sexual contradictions of Japanese society in a bold and subtle way. In her latest work, KITTY, she dreams up a society populated by white cats, a parallel universe frighteningly close to our own.

 

Satoko Ichihara writes and directs plays that question human attitudes, the physiology of the body and the unease they generate. Together, her different works constitute a reflection on the genealogy of violence. In KITTY, she explores the excesses of a contemporary society in which behavious and desires are shaped by excessive consumerism, patriarchy and capitalism. Playing on the meaning of the word "kawaii" (cute), she draws up a humorous, subtle analogy between the treatment of animals and objectification of women. She bases her observations on research into sex trafficking, the position of women in today's society and meat consumption. Performed here by Japanese actresses only, after it was first developed with actresses from Japan, South Korea and Hong Kong, the radical redefinition of life and sexuality the play brings us acts as a shockwave.