Chiara Guidi

With Faust, Romeo Castellucci once again tackles one of the founding myths of our Western culture. In it, the Italian director becomes an architect of chaos, a means of embracing, to the full, the contradictions of our contemporary world.

An ode to tenderness. In the company of the Dançando com a Diferença dancers, Bouchra Ouizguen pieces together dance underpinned by singularity. A world which is both joyous and simple—not naive, but necessary—that owes its existence to abandon and the attention we pay to ourselves, those around us and the world.

Since 2013, Radio Live has been allowing the voices of young people across the world, grappling with the various conflicts of History in the making, to be heard. Le jour d’après continues a new cycle initiated in 2024, in which Aurélie Charon and her artists collective explore the possible reconstruction of cities and dialogues, travelling, on this occasion, to Kyiv and Cairo.

Since 2013, Radio Live has been allowing the voices of young people across the world, grappling with the various conflicts of History in the making, to be heard.  Le jour d’après continues a new cycle initiated in 2024, in which Aurélie Charon and her artists collective explore the possible reconstruction of cities and dialogues, travelling, on this occasion, to Kyiv and Cairo.

Those who dance mix with those who sing. Musicality passes through the bodies, carried along by the same vibrations. Un peu pour mon cœur… is a communion rite, and furthers Dalila Belaza’s exploration of the resonances between song, dance and music.