Bruno Geslin Bruno Geslin

Kiss me quick d’ Ishem Bailey

[Theatre] We are in 1960s America, where quaint burlesque is suddenly being outstripped by the porn industry. Playing deftly on the opposition between private and public space, what we can see and what we merely imagine – Bruno Geslin lays bare the contradictions of an era. And as in many of his previous works, continues to delve into the enigma of desire.