Alberto Cortés

Analphabet

Théâtre de la Bastille
decemberdec 12 – 19
1/3

French premiere

1h05

This show includes nudity scenes.

Prices €8 to €26 
Subscribers €8 to €19

Friday december 12

20h

Saturday december 13

18h

Monday december 15

20h

Tuesday december 16

00h

Thursday december 18

20h

Friday december 19

20h

Concept, dramaturgy, texts, direction and interpretation Alberto Cortés. Violin and conversations Luz Prado. Creation lights Benito Jiménez. Light Room Benito Jiménez. Sound Óscar Villegas. Technical coordination Cristina Bolívar. Piano recording César Barco. Set design Víctor Colmenero. Costumes Gloria Trenado. Exterior view Mónica Valenciano. Photography Alejandra Amere, Clementina Gades. Video Johann Pérez Viera. 

El Mandaíto Production
Co-production Festival TNT Terrassa Noves Tendències; Centro de Cultura Contemporánea Condeduque (Madrid); FITEI-Festival Internacional de Teatro de Expressáo Ibérica; Fundació Joan Brossa – Centre de les Arts Lliures (Barcelona); Iberoamericano de Teatro de Cádiz
With the support of Azala, Graner, Goethe-Institut Madrid, Escena Patrimonio, Festival de Otoño (Madrid), Artistic Residency Program of the Andalusian Agency of Cultural Institutions, Town Hall of La Rinconada

The Théâtre de la Bastille and the Festival d'Automne à Paris present this show in co-realisation. 

At sunset on Gulpiyuri Beach, after a violent argument between two male lovers, a ghost named Analphabet appears above the sea. By means of its haunting prose, this ghost heals toxic relationships and casts light upon cruising spots.

 

Invited to perform his work in France for the first time, the Andalusian director and performance artist Alberto Cortés, tells the story of a tormented spirit that manifests itself in natural environments. Bearing the scars of its many wounds, this spirt is driven by the desire to heal toxic relationships. The author and performer uses this story as a means to explore intra-gender violence and to highlight the dire need to take radical care of each other in queer relationships, the weight of their patriarchal heritage still weighing down heavily upon them. Drawing on his own experience, Alberto Cortés fully embraces being "irrational", a label which was once used as an insult to him. Taking his inspiration from José Bergamín's La decadencia del analfabetismo, his piece casts a critical eye on a society that sacrifices poets in the name of a rational order in which everything must be clearly visible, orderly, readable and fixed — just like the alphabet itself. Ranging from cruising to poetry, Analphabet sets out to save a world in constant threat of an excess of light. Although wounded and half-dead, the arrival of the ghost brings hope, that of what poetry can offer the wounded.