Forced Entertainment The Notebook d’après Ágota Kristóf


Adapted from Ágota Kristóf's famous novel, The Notebook unfolds its naïve and implacable logic, instilling its black humour within its historical framework. Forced Entertainment turns it into a narrative marathon for two performers trapped in the same voice, in a disturbing performance.

In The Notebook, the director Tim Etchells took his inspiration from the novel of the same name by the Hungarian authoress Ágota Kristóf, published in 1986. This work, which was adapted for the cinema in 2016 by the Hungarian film-maker János Szász, tells the story of a pair of twins who, during the Second World War take refuge in their grand-mother’s farm, deep in the countryside, in order to avoid having to go to the front-line, and be confronted with all the bloodshed of war. Living in extreme poverty, their view of the war is void of any sentimentality, unflinching. In their eyes, there can be no doubt that these confrontations are linked to the decline of Central Europe, and that of a society sliding down a slippery slope towards depravation, cruelty and opportunism. A society dominated by one-upmanship, and petty thirst for power. In this intimate, compelling text, dark humour is never far away. Onstage, the two actors Richard Lowdon and Robin Arthur, dressed identically, get under the skin of these conniving brothers as they tell, side by side, not just their own story but also that of a whole nation. A thought-provoking, disturbing narration in which we hear only one voice - and which is brimful of humanity.