Tarek Atoui, Noé Soulier

Organon

Ménagerie de verre
octoberoct 9 – 12
1/3

French premiere

1h

A promenade performance with a limited number of seats available

Prices €8 to €20 
Subscribers €8 and €15

Thursday october 9

19h

Thursday october 9

21h

Friday october 10

19h

Friday october 10

21h

Saturday october 11

17h

Saturday october 11

19h

Sunday october 12

15h

Sunday october 12

17h

Concept Noé Soulier, Tarek Atoui. Performance and artistic collaboration Stephanie Amurao, Yumiko Funaya, Nangaline Gomis, Samuel Planas, Mélisande Tonolo, Gal Zusmanovitch. Assistant Julie Charbonnier. Production Celine Chouffot, Anna Seneterre, Adèle Thébault. Technical management Charles Gohy, Denis Juliette, Bradley Curpanen

Production Cndc – Angers
Coproduction Studio Tarek Atoui; Kunstenfestivaldesarts (Brussels); Festival d’Automne in Paris; Les Spectacles vivants – Centre Pompidou
Residency support La Ménagerie de verre
The Centre Pompidou thanks Pernod Ricard, patron of Les Spectacles vivants
With the support of Dance Reflections by Van Cleef & Arpels

The Centre Pompidou and the Festival d’Automne in Paris are co-producers of this performance and present it in collaboration with La Ménagerie de verre, as part of the Constellation programme of the Centre Pompidou.

 

Depuis plus de 50 ans, le Centre Pompidou et le Festival d’Automne contribuent à la redéfinition du paysage culturel, s’appuyant sur un engagement audacieux en faveur de la création, et faisant ainsi rayonner les arts contemporains à l’échelle nationale et internationale. Fortes d’une collaboration de longue date, les deux institutions s’associent cette année autour d’une programmation  ambitieuse, mettant à l’honneur la création du chorégraphe Noé Soulier et du musicien et plasticien Tarek Atoui, ainsi que celle de la performeuse et cinéaste Gabriela Carneiro da Cunha. Ensemble, le Centre Pompidou et le Festival d’Automne imaginent également une « École du soir », pensée et orchestrée par le philosophe et économiste Felwine Sarr.

 

 

The performance piece Organon, a collaboration between choreographer Noé Soulier and artist Tarek Atoui, brings us a bold reconfiguration of the relationship between performative bodies, space and sounds. 

 

Unfurling in a hybrid space on the border between performance art and installation, Organon combines the two powerful artistic universes of Noé Soulier and Tarek Atoui. In order to explore the complex relationship woven between bodies and sounds generated by Tarek Atoui's unique stage mechanism, the performance sets in motion six dancers in an environment where music, scenography and choreography dialogue in a fruitful way to the point of erasing disciplinary boundaries. Multiple relationships are forged, ranging from a dialogue with an autonomous instrument, and a choreographic approach to sound production, to a device that expresses the contact between two dancers via sound. These relationships do away with any binary opposition between body and object, goal and means, sound and image. Nourished by the different tensions and impulses that result from this encounter between physical, sound-based and bodily space, Organon invites spectators to immerse themselves in a performance-research piece that is both sensory and conceptual. 

In the same place