Tarek Atoui, Noé Soulier
Organon
octoberoct 9 – 12
Thursday october 9
19h
Thursday october 9
21h
Friday october 10
19h
Friday october 10
21h
Saturday october 11
17h
Saturday october 11
19h
Sunday october 12
15h
Sunday october 12
17h
Concept Noé Soulier, Tarek Atoui. Performance and artistic collaboration Stephanie Amurao, Yumiko Funaya, Nangaline Gomis, Samuel Planas, Mélisande Tonolo, Gal Zusmanovitch. Assistant Julie Charbonnier. Production Celine Chouffot, Anna Seneterre, Adèle Thébault. Technical management Charles Gohy, Denis Juliette, Bradley Curpanen
Production Cndc – Angers
Coproduction Studio Tarek Atoui; Kunstenfestivaldesarts (Brussels); Festival d’Automne in Paris; Les Spectacles vivants – Centre Pompidou
Residency support La Ménagerie de verre
The Centre Pompidou thanks Pernod Ricard, patron of Les Spectacles vivants
With the support of Dance Reflections by Van Cleef & Arpels
The Centre Pompidou and the Festival d’Automne in Paris are co-producers of this performance and present it in collaboration with La Ménagerie de verre, as part of the Constellation programme of the Centre Pompidou.
Depuis plus de 50 ans, le Centre Pompidou et le Festival d’Automne contribuent à la redéfinition du paysage culturel, s’appuyant sur un engagement audacieux en faveur de la création, et faisant ainsi rayonner les arts contemporains à l’échelle nationale et internationale. Fortes d’une collaboration de longue date, les deux institutions s’associent cette année autour d’une programmation ambitieuse, mettant à l’honneur la création du chorégraphe Noé Soulier et du musicien et plasticien Tarek Atoui, ainsi que celle de la performeuse et cinéaste Gabriela Carneiro da Cunha. Ensemble, le Centre Pompidou et le Festival d’Automne imaginent également une « École du soir », pensée et orchestrée par le philosophe et économiste Felwine Sarr.
The performance piece Organon, a collaboration between choreographer Noé Soulier and artist Tarek Atoui, brings us a bold reconfiguration of the relationship between performative bodies, space and sounds.
Unfurling in a hybrid space on the border between performance art and installation, Organon combines the two powerful artistic universes of Noé Soulier and Tarek Atoui. In order to explore the complex relationship woven between bodies and sounds generated by Tarek Atoui's unique stage mechanism, the performance sets in motion six dancers in an environment where music, scenography and choreography dialogue in a fruitful way to the point of erasing disciplinary boundaries. Multiple relationships are forged, ranging from a dialogue with an autonomous instrument, and a choreographic approach to sound production, to a device that expresses the contact between two dancers via sound. These relationships do away with any binary opposition between body and object, goal and means, sound and image. Nourished by the different tensions and impulses that result from this encounter between physical, sound-based and bodily space, Organon invites spectators to immerse themselves in a performance-research piece that is both sensory and conceptual.
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