Gwenaël Morin Antiteatre


“Antitheater” encapsulates R.W. Fassbinder’s debunking of all political, psychological and moral standards in late 1960s FRG. In four plays based on Fassbinder’s texts, Gwenaël
Morin traces an “archeology of violence”, as each play evokes a utopia gone wrong. Without using a set or costumes, Gwenaël Morin directly confronts notions of dependency,
emancipation, desire and death.