Carolina Bianchi Y Cara de Cavalo

A Noiva e o Boa Noite Cinderela

Trilogia Cadela Força – Chapter I

Theatre
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 23 – 30
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© Christophe Raynaud. ©

© Christophe Raynaud de lage ©

© Luisa Callegari ©

1/3

2h30

Minimum age 18 years

In Brazilian Portuguese, surtitled in French and English

This show includes certain scenes that may offend the audience’s sensibilities. Loud music, strobe lights, smoke, nudity.

Prices €10  to €42 
Abonnés €10  to €34 

Odéon Théâtre de l’Europe – Odéon Paris 6
Odéon Théâtre de l’Europe – Odéon Paris 6
Place de l’Odéon
75006 Paris

Metro 4 et 10 : Station Odéon
RER B: Luxembourg
RER C : Saint-Michel
Bus : 63, 87, 86, 70, 96, 58
Parkings : rue Soufflot ; Place St Sulpice ; rue de l'Ecole de Médecine
Vélib' : stations 6028, 6017, 6016

Want to go !

Wednesday september 23

19h30

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Wednesday september 30

19h30

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Design, text, staging and scenography Carolina Bianchi. With Larissa Ballarotti, Carolina Bianchi, Bruta, José Artur Campos, Joana Ferraz, Fernanda Libman, Chico Lima, Rafael Limongelli, Marina Matheus. Translation for the subtitling Larissa Ballarotti, Luisa Dalgalarrondo, Joana Ferraz, Marina Matheus (EN), Thomas Resendes (FR). Dramaturgy and research partner Carolina Mendonça. Technical direction, original music, sound  Miguel Caldas. Production of the decor and graphic design Luisa Callegari. Lighting Jo Rios. Video and projection Montserrat Fonseca Llach. Costumes Carolina Bianchi, Luisa Callegari, Tomás Decina. Artistic collaboration with Tomás Decina. Body and voice training Pat Fudyda, Yantó. Dialogue on theory and dramaturgy Silvia Bottiroli. Video of the karaoke Thany Sanches. Set management and production assistant AnaCris Medina. Production manager, tour administration, and communication Carla Estefan. International relations, production and distribution Metro Gestão Cultural (Brazil).

Production Metro Gestão Cultural; Carolina Bianchi Y Cara de Cavalo
Coproduction Festival d'Avignon; KVS Koninklijke Vlaamse Schouwburg (Brussels); Le Maillon, Théâtre de Strasbourg—Scène européenne; Frascati Producties (Amsterdam)
Residency to finalize the play and the construction of the set La FabricA du Festival d'Avignon 
Residencies DAS Theatre (Amsterdam); Festival 21 Voltz/Central Elétrica (Porto); Pride Festival (Belgrade); Festival Proximamente/KVS (Brussels); Espaço Desterro (Rio de Janeiro); Greta Galpão (São Paulo); Frascati (Amsterdam); La FabricA du Festival d'Avignon
Support Fondation Ammodo; DAS Theatre Master Program; 3 Package Deal of the AFK—Amsterdams Fonds voor de Kunst; Theater der Welt; Kaaitheater (Brussels); Onda—National Office for Artistic Dissemination
Show created on July 9, 2023 at the Festival d'Avignon 

The Festival d'Automne in Paris presents this show in corealisation with the Odéon Théâtre de l'Europe.

 

Trilogia Cadela Força 
Odéon Théâtre de l’Europe—Odéon Paris 6
19—20 et 26—27 september 

The Brotherhood 
Odéon Théâtre de l’Europe—Odéon Paris 6
09.24 and 10.01

Uma Luz Cordial 
Odéon Théâtre de l’Europe—Odéon Paris 6
09.25 and 10.02

In this first part of Trilogia Cadela Força, writer and director Carolina Bianchi explores, through the staging of her own body, the ways in which theatre and artistic performance have tackled narratives dealing with sexual violence.


Obsessed by the story of the rape and murder of an artist, Carolina Bianchi unfurls a wide-reaching landscape of stories of rape and femicide, composed of different strata which defy all semblance of harmony, via the interweaving of narratives, images and figures from the history of art. This first chapter reveals the complexity which permeates any approach to these narratives, in which memory becomes blurred and the resulting traumas are a wound that never ceases to produce new meanings. Divided in two parts, A Noiva e o Boa Noite Cinderela (The Bride and Goodnight Cinderella) recounts, among other things, the tragic story of Pippa Bacca’s performance, at the point at which the writer and performer herself loses consciousness. The Cara de Cavalo performers carry, in the literal sense of the world, her sleeping body, in a chaotic, disturbing choreography, giving rise to an inner experience of a dark kind. Setting herself down within a genealogy of female artists, Carolina Bianchi explores the constituent sexist violence present in the myths of our civilisation, and plunges headlong into the depths of a fragmented memory.

See also

Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 19 – 27

Carolina Bianchi Y Cara de Cavalo
Trilogia Cadela Força Complete trilogy – Chapters I, II and III

Theatre
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After presenting in 2024 and 2025 the first two chapters at La Villette, this year the Festival d’Automne presents the third chapter, as well as complete works of the trilogy in conjunction with the Odéon Théâtre de l’Europe.
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 24 - october – oct 1

Carolina Bianchi Y Cara de Cavalo
The Brotherhood Trilogia Cadela Força – Chapter II

Theatre
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In this second chapter, Carolina Bianchi and the Cara de Cavalo collective immerse themselves in the complexity of all-male pacts in the world of theatre, in addition to their possible origins and codes—all too often part of a framework of violence, in which rape and sexual violence become a language.
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 25 - october – oct 2

Carolina Bianchi Y Cara de Cavalo
Uma Luz Cordial Trilogia Cadela Força – Chapter III

Theatre
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Carolina Bianchi unfurls the final chapter of Cadela Força, thereby bringing to a close this multifaceted trilogy. The latter takes the form of a critical exploration of language, the history of art, theatre and authorship in terms of their relationship with sexual violence and patriarchy. Far from drawing any conclusions, the Brazilian playwright opens up new avenues for reflection.

In the same place

Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 19 – 27

Carolina Bianchi Y Cara de Cavalo
Trilogia Cadela Força Complete trilogy – Chapters I, II and III

Theatre
Buy tickets

After presenting in 2024 and 2025 the first two chapters at La Villette, this year the Festival d’Automne presents the third chapter, as well as complete works of the trilogy in conjunction with the Odéon Théâtre de l’Europe.
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 24 - october – oct 1

Carolina Bianchi Y Cara de Cavalo
The Brotherhood Trilogia Cadela Força – Chapter II

Theatre
Buy tickets

In this second chapter, Carolina Bianchi and the Cara de Cavalo collective immerse themselves in the complexity of all-male pacts in the world of theatre, in addition to their possible origins and codes—all too often part of a framework of violence, in which rape and sexual violence become a language.
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 25 - october – oct 2

Carolina Bianchi Y Cara de Cavalo
Uma Luz Cordial Trilogia Cadela Força – Chapter III

Theatre
Buy tickets

Carolina Bianchi unfurls the final chapter of Cadela Força, thereby bringing to a close this multifaceted trilogy. The latter takes the form of a critical exploration of language, the history of art, theatre and authorship in terms of their relationship with sexual violence and patriarchy. Far from drawing any conclusions, the Brazilian playwright opens up new avenues for reflection.
Odéon Théâtre de l’Europe – Odéon Paris 6
octoberoct 30 - november – nov 27

Romeo Castellucci
Faust. Fait, non dit.

Theatre
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With Faust, Romeo Castellucci once again tackles one of the founding myths of our Western culture. In it, the Italian director becomes an architect of chaos, a means of embracing, to the full, the contradictions of our contemporary world.
Odéon Théâtre de l’Europe – Odéon Paris 6
novembernov 10 – 28

Back to Back Theatre
NEANDERTHAL— Histoire(s) du théâtre VIII

Portrait Theatre

Prior to its first performances in 2027, Back to Back Theatre invites audiences to discover the different phases of work behind NEANDERTHAL—Histoire(s) du théâtre VIII by being present during its rehearsals. This ambitious new piece looks into the themes of extinction and cognition.
Odéon Théâtre de l’Europe – Odéon Paris 6
decemberdec 4 – 19

Back to Back Theatre
FOOD COURT

Portrait Theatre
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Set to music by the Australian trio The Necks, FOOD COURT plunges a woman headlong into the all-too banal horrors of a humiliating experience in the public space. Featuring a cast of three female performers with learning difficulties, the piece transforms into an experience of an intense, unsettling kind.