Carolina Bianchi Y Cara de Cavalo

The Brotherhood

Trilogia Cadela Força – Chapter II

Theatre
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 24 - october – oct 1

© Mayra Azzi ©

© Mayra Azzi ©

© Mayra Azzi ©

1/3

3h40 with intermissions

Minimum age 18 years

In Brazilian Portuguese and English, surtitled in French

This show includes some scenes that may offend the sensitivity of the audience. Loud music, strobe lights, smoke, nudity.

Prices €10 to €42
Subscribers €10 to €34

Odéon Théâtre de l’Europe – Odéon Paris 6
Odéon Théâtre de l’Europe – Odéon Paris 6
Place de l’Odéon
75006 Paris

Metro 4 et 10 : Station Odéon
RER B: Luxembourg
RER C : Saint-Michel
Bus : 63, 87, 86, 70, 96, 58
Parkings : rue Soufflot ; Place St Sulpice ; rue de l'Ecole de Médecine
Vélib' : stations 6028, 6017, 6016

Want to go !

Thursday september 24

19h30

Thursday october 1

19h30

Concept, text, direction and set Carolina Bianchi. With Chico Lima, Flow Kountouriotis, José Artur, Kai Wido Meyer, Lucas Delfino, Rafael Limongelli, Rodrigo Andreolli, Tomás Decina and Carolina Bianchi. Translation for subtitles Marina Matheus (English), Thomas Resendes (French). Dramaturg and research partner Carolina Mendonça. Technical direction, original music, sound design Miguel Caldas. Assistant director Murillo Basso. Scenography and graphic design Luisa Callegari. Lighting design Jo Rios. Video and screening Montserrat Fonseca Llach. Costumes Luisa Callegari, Carolina Bianchi. Prologue choreography and movement advisor Jimena Pérez Salerno. Live camera and artistic support Larissa Ballarotti. Photos Mayra Azzi. Stage manager, production assistant AnaCris Medina. Production direction, tour manager, and communication Carla Estefan. International relation, production, and diffusion Metro Gestão Cultural (Brazil).

Production Metro Gestão Cultural (BR), Carolina Bianchi Y Cara de Cavalo
Coproduction KVS Koninklijke Vlaamse Schouwburg- Brussels, Theater Utrecht, La Villette –Paris, Festival d’Automne à Paris, Comédie de Genève, Internationales Sommer Festival Kampnagel, Les Célestins –Théâtre de Lyon, Kunstenfestivaldesarts, Wiener Festwochen, Holland Festival, Frascati Producties HAU Hebbel am Ufer -Berlin, and Maillon, Théâtre de Strasbourg - Scène européenne
Residency to finish the play and set construction KVS Brussels
Residencies La Villette-Paris, Frascati Amsterdam, Utrecht Theater -De Paardenkathedraal, Kampnagel-Hamburg
Supported by Tax shelter van de Belgische Federale Overheid, The Ammodo Foundation-NL
The show premiered on 9th May 2025 at KVS -Brussels, in the frame of the Kunstefestivaldesarts

The Festival d’Automne à Paris is a coproducer of this show and present it as a corealisation with Odéon Théâtre de l’Europe.

Trilogia Cadela Força - Trilogie intégrale
Odéon Théâtre de l’Europe—Odéon Paris 6
19—20 and 26—27 september

A Noiva e o Boa Noite Cinderela 
Odéon Théâtre de l’Europe—Odéon Paris 6
23 and 30 september

Uma Luz Cordial 
Odéon Théâtre de l’Europe—Odéon Paris 6
09.25 and 10.02

In this second chapter, Carolina Bianchi and the Cara de Cavalo collective immerse themselves in the complexity of all-male pacts in the world of theatre, in addition to their possible origins and codes—all too often part of a framework of violence, in which rape and sexual violence become a language.


Void of any over-simplification, The Brotherhood recognises the powers of fascination that these fraternities sometimes exert, notably in the history of art. In doing so, the text enters into a zone of uncertainty, on the border between repulsion and attraction for the dynamics of male power. Carolina Bianchi puts the instruments of theatre to use in the aim of opening up possible avenues of reflection, interweaving persistent links between representation and traumatism, structures of power in art and radical poetry, as well as the origins of misogyny and a sexuality in crisis. Even the form that the show takes reveals itself to be a trap: it weakens the female writer and director’s authority, transforming her into a spectral figure. In the first act, Carolina Bianchi interviews Klaus Haas, a powerful, world-renowned theatre director. In the second, a group of male performers take over the stage, meanwhile the artist herself gradually appears in the form of a ghost, haunted by her own desires.

See also

Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 19 – 27

Carolina Bianchi Y Cara de Cavalo
Trilogia Cadela Força Complete trilogy – Chapters I, II and III

Theatre
Buy tickets

After presenting in 2024 and 2025 the first two chapters at La Villette, this year the Festival d’Automne presents the third chapter, as well as complete works of the trilogy in conjunction with the Odéon Théâtre de l’Europe.
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 23 – 30

Carolina Bianchi Y Cara de Cavalo
A Noiva e o Boa Noite Cinderela Trilogia Cadela Força – Chapter I

Theatre

In this first part of Trilogia Cadela Força, writer and director Carolina Bianchi explores, through the staging of her own body, the ways in which theatre and artistic performance have tackled narratives dealing with sexual violence.
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 25 - october – oct 2

Carolina Bianchi Y Cara de Cavalo
Uma Luz Cordial Trilogia Cadela Força – Chapter III

Theatre

Carolina Bianchi unfurls the final chapter of Cadela Força, thereby bringing to a close this multifaceted trilogy. The latter takes the form of a critical exploration of language, the history of art, theatre and authorship in terms of their relationship with sexual violence and patriarchy. Far from drawing any conclusions, the Brazilian playwright opens up new avenues for reflection.

In the same place

Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 19 – 27

Carolina Bianchi Y Cara de Cavalo
Trilogia Cadela Força Complete trilogy – Chapters I, II and III

Theatre
Buy tickets

After presenting in 2024 and 2025 the first two chapters at La Villette, this year the Festival d’Automne presents the third chapter, as well as complete works of the trilogy in conjunction with the Odéon Théâtre de l’Europe.
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 23 – 30

Carolina Bianchi Y Cara de Cavalo
A Noiva e o Boa Noite Cinderela Trilogia Cadela Força – Chapter I

Theatre

In this first part of Trilogia Cadela Força, writer and director Carolina Bianchi explores, through the staging of her own body, the ways in which theatre and artistic performance have tackled narratives dealing with sexual violence.
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 25 - october – oct 2

Carolina Bianchi Y Cara de Cavalo
Uma Luz Cordial Trilogia Cadela Força – Chapter III

Theatre

Carolina Bianchi unfurls the final chapter of Cadela Força, thereby bringing to a close this multifaceted trilogy. The latter takes the form of a critical exploration of language, the history of art, theatre and authorship in terms of their relationship with sexual violence and patriarchy. Far from drawing any conclusions, the Brazilian playwright opens up new avenues for reflection.
Odéon Théâtre de l’Europe – Odéon Paris 6
octoberoct 30 - november – nov 27

Romeo Castellucci
Faust. Done, unsaid.

Theatre
Buy tickets

With Faust, Romeo Castellucci once again tackles one of the founding myths of our Western culture. In it, the Italian director becomes an architect of chaos, a means of embracing, to the full, the contradictions of our contemporary world.
Odéon Théâtre de l’Europe – Odéon Paris 6
novembernov 10 – 28

Back to Back Theatre
NEANDERTHAL— Histoire(s) du théâtre VIII

Portrait Theatre

Prior to its first performances in 2027, Back to Back Theatre invites audiences to discover the different phases of work behind NEANDERTHAL—Histoire(s) du théâtre VIII by being present during its rehearsals. This ambitious new piece looks into the themes of extinction and cognition.
Odéon Théâtre de l’Europe – Odéon Paris 6
decemberdec 4 – 19

Back to Back Theatre
FOOD COURT

Portrait Theatre
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Set to music by the Australian trio The Necks, FOOD COURT plunges a woman headlong into the all-too banal horrors of a humiliating experience in the public space. Featuring a cast of three female performers with learning difficulties, the piece transforms into an experience of an intense, unsettling kind.