Carolina Bianchi Y Cara de Cavalo

Trilogia Cadela Força

Complete trilogy – Chapters I, II and III

Theatre
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 19 – 27
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© Graphic design by Luisa Callegari ©

© Christophe Raynaud. ©

© Mayra Azzi ©

1/3

10h

Minimum age 18 years

Trilogie intégrale – Chapitres I, II et III. In Brazilian Portuguese, surtitled in French and English.

This show includes certain scenes that may offend the audience’s sensibilities. Loud music, strobe lights, smoke, nudity.

Prices €20  to €69 
Subscibers €20  to €66 

Odéon Théâtre de l’Europe – Odéon Paris 6
Odéon Théâtre de l’Europe – Odéon Paris 6
Place de l’Odéon
75006 Paris

Metro 4 et 10 : Station Odéon
RER B: Luxembourg
RER C : Saint-Michel
Bus : 63, 87, 86, 70, 96, 58
Parkings : rue Soufflot ; Place St Sulpice ; rue de l'Ecole de Médecine
Vélib' : stations 6028, 6017, 6016

Want to go !

Saturday september 19

12h30 - 22h30 – Trilogie intégrale

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Sunday september 20

12h30 - 22h30 – Trilogie intégrale

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Saturday september 26

12h30 - 22h30 – Trilogie intégrale

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Sunday september 27

12h30 - 22h30 – Trilogie intégrale

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A Noiva e o Boa Noite Cinderela 
Odéon Théâtre de l’Europe—Odéon Paris 6
09.23—30

The Brotherhood 
Odéon Théâtre de l’Europe—Odéon Paris 6
09.24 and 10.01

Uma Luz Cordial 
Odéon Théâtre de l’Europe—Odéon Paris 6
09.25 and 10.02

Le Festival d’Automne à Paris présente ce spectacle en  coréalisation avec l’Odéon Théâtre de l’Europe.

In 2023, the Brazilian director, writer and performer Carolina Bianchi premiered the first chapter of Trilogia Cadela Força (Trilogy of Bitches) opening up a new chapter in the recent history of contemporary theatre. These works weave a tapestry of a complex nature, used as the basis for exploring the links between sexual violence and their representations via the history of art. The result of eight years of work, this process makes tangible the tension between the search for a language capable of conveying its complexity and the violence inherent in artistic creation. In doing so, it sheds light upon the difficulty of giving shape to what remains fundamentally enigmatic.

After presenting in 2024 and 2025 the first two chapters at La Villette, this year the Festival d’Automne presents the third chapter, as well as complete works of the trilogy in conjunction with the Odéon Théâtre de l’Europe. Each piece, to be seen either independently or as part of a marathon, is envisaged as a field of study, into the dynamics and influences that each chapter exerts on the others, but also of the limits of working on such subjects over a long period of time. Is it even possible to reach its conclusion, in the wake of the consequences of Boa Noite, Cinderela? Seeing the cycle in its entirety becomes a pressing need, the reason being that each of its three parts are interwoven in such a way that they make for a unique experience, for the audience and artists alike.

See also

Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 23 – 30

Carolina Bianchi Y Cara de Cavalo
A Noiva e o Boa Noite Cinderela

Theatre
Buy tickets
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 24 - october – oct 24

Carolina Bianchi Y Cara de Cavalo
The Brotherhood Trilogia Cadela Força – Chapitre II

Theatre

After tackling sexual and gender-based violence, in her new work The Brotherhood, Carolina Bianchi turns to the issue of so-called boys clubs in the world of art and theatre. How does this male solidarity shield perpetrators of sexual assault? What is the influence of these power structures on artistic creation?

 
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 25 - october – oct 25

Carolina Bianchi Y Cara de Cavalo
Uma Luz Cordial Trilogie Cadela Força – Chapitre III

Theatre
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Carolina Bianchi unfurls the final chapter of Cadela Força, thereby bringing to a close this multifaceted trilogy. The latter takes the form of a critical exploration of language, the history of art, theatre and authorship in terms of their relationship with sexual violence and patriarchy. Far from drawing any conclusions, the Brazilian playwright opens up new avenues for reflection.

In the same place

Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 23 – 30

Carolina Bianchi Y Cara de Cavalo
A Noiva e o Boa Noite Cinderela

Theatre
Buy tickets
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 24 - october – oct 24

Carolina Bianchi Y Cara de Cavalo
The Brotherhood Trilogia Cadela Força – Chapitre II

Theatre

After tackling sexual and gender-based violence, in her new work The Brotherhood, Carolina Bianchi turns to the issue of so-called boys clubs in the world of art and theatre. How does this male solidarity shield perpetrators of sexual assault? What is the influence of these power structures on artistic creation?

 
Odéon Théâtre de l’Europe – Odéon Paris 6
septembersept 25 - october – oct 25

Carolina Bianchi Y Cara de Cavalo
Uma Luz Cordial Trilogie Cadela Força – Chapitre III

Theatre
Buy tickets

Carolina Bianchi unfurls the final chapter of Cadela Força, thereby bringing to a close this multifaceted trilogy. The latter takes the form of a critical exploration of language, the history of art, theatre and authorship in terms of their relationship with sexual violence and patriarchy. Far from drawing any conclusions, the Brazilian playwright opens up new avenues for reflection.
Odéon Théâtre de l’Europe – Odéon Paris 6
octoberoct 30 - november – nov 30

Romeo Castellucci
Faust. Fait, non dit. Faust. Fait, non dit.

Theatre
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With Faust, Romeo Castellucci once again tackles one of the founding myths of our Western culture. In it, the Italian director becomes an architect of chaos, a means of embracing, to the full, the contradictions of our contemporary world.
Odéon Théâtre de l’Europe – Odéon Paris 6
novembernov 10 – 28

Back to Back Theatre
NEANDERTHAL— Histoire(s) du théâtre VIII

Theatre Portrait
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Prior to its first performances in 2027, Back to Back Theatre invites audiences to discover the different phases of work behind NEANDERTHAL—Histoire(s) du théâtre VIII by being present during its rehearsals. This ambitious new piece looks into the themes of extinction and cognition.
Odéon Théâtre de l’Europe – Odéon Paris 6
decemberdec 4 – 19

Back to Back Theatre
FOOD COURT

Theatre Portrait
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Set to music by the Australian trio The Necks, FOOD COURT plunges a woman headlong into the all-too banal horrors of a humiliating experience in the public space. Featuring a cast of three female performers with learning difficulties, the piece transforms into an experience of an intense, unsettling kind.